Hello
I'm Sion, a freelance editor driven by a passion for narrative story telling. who specialises in Avid Media Composer. with a background working in a post facility. living near Cardiff, UK. with almost a decade of broadcast TV experience. who can colour grade and build visual effects.
Entitled
Comedy Drama
Wait For Me
Feature film
EDITING
TV DRAMA
Entitled
Two Brothers Pictures for Ch4 & Showtime (Series 1, 4×28’)
dir. Tim Kirkby
Hollyoaks
Lime Pictures for Ch4 (4×30’)
exec. Bryan Kirkwood
// Eps 5455-5458 (Sept 2020) | dir. Sean Glynn
Out of Hours
Black Chair Films (6×10’)
dir. Amanda Mealing, prod. Richard Sainsbury
CBBC drama (5×30’)
prod. Emma Bodger, Gert Thomas. exec. Jonathan Phillips
// Series 8 Eps 5-8 (July 2019) | dir. Sean Glynn
// Series 7 Ep 18 (Sept 2018) | dir. Hildegard Ryan
FEATURE FILM
Wait for Me
Old Hall Films (1×90')
dir. Keith Farrell, prod. Thea Burrows
ASSISTANT EDITING
All Creatures Great and Small
Playground drama for Ch5 (Series 1, 44')
prod. Richard Burrell, edit. Russell Beeden
Brassic
Calamity Films drama for Sky One (Series 2 & 3, 43')
prod. Mike Noble, Mags Conway, exec. David Livingstone
// Series 2 (Sept 2019) | edit. Sarah Peczek
// Series 3 (March 2021) | edit. Melanie Oliver, Rachel Hoult, Zsófia Tálas
Noughts + Crosses
Mammoth Screen drama for BBC (Series 2, 4×60’)
dir. Koby Adom, prod. Sarah Lewis
edit. Rachel Hoult, Anthony Combes, Anuree De Silva, Peter Williams
The Dumping Ground
CBBC drama (Series 7, 30')
prod. Gert Thomas, exec. Jonathan Phillips
VFX EDITING
Pennyworth
Shoe Bucket for Warner Bros (Series 3, 10×60’)
sup. Andrew Lim, prod. Cory McCrum
SHORT FILM
2k5
(1×15’)
dir. Nicole Pott
A Brief Guide to Self Destruction
Beech House Films (1×18’)
writ. Adam Jowett, dir. Martha Sion
Another Happy Ever After
Old Hall Films (1×15’)
dir. Keith Farrell, prod. Margot Douglas
Forever 27
White Ermine Films (1×17’)
dir. Nicole Pott, prod. Jean-Philippe Le Coq
Old Hall Films (1×12’)
dir. Keith Farrell, prod. David Arrowsmith
Hedge
iShorts Feature (1×15’)
dir. Jenny Longworth
Inertia
Leapling Films (1×15’)
dir. Mat Johns, prod. Chris Lane
Out On Film (USA, 2021) - Best Drama Short
Lead Belly
Four1 Productions (1×20’)
dir. Sean Glynn, prod. Rebecca-Clare Evans, Jamie Lomas
Tile Media (1×15’)
dir. Keith Farrell, prod. Philip Meachem, Leah Blackaby
Bolton Film Festival (2017) - Best North West Short
Omaha Film Festival (2018) - Best Short
The Hunger Times
Tile Media (1×15')
dir. Keith Farrell, prod. Colin Farrell
Three Kings
Indie (1×13’)
dir. Andrew Wong, prod. Didzis Starastins
Together, They Smoke
Delaval Film for Sky Arts (1×10’)
dir. Henry Gale, prod. Loran Dunn
Wanderland
Our Daughter Productions (1×15’)
dir. Nicole Pott, prod. Charlotte Atkinson
ASSISTANT EDITING
All Creatures Great and Small
Playground drama for Ch5 (Series 1, 44')
prod. Richard Burrell, edit. Russell Beeden
Brassic
Calamity Films drama for Sky One (Series 2 & 3, 43')
prod. Mike Noble, Mags Conway, exec. David Livingstone
// Series 2 (Sept 2019) | edit. Sarah Peczek
// Series 3 (March 2021) | edit. Melanie Oliver, Rachel Hoult, Zsófia Tálas
Noughts + Crosses
Mammoth Screen drama for BBC (Series 2, 4×60’)
dir. Koby Adom, prod. Sarah Lewis
edit. Rachel Hoult, Anthony Combes, Anuree De Silva, Peter Williams
The Dumping Ground
CBBC drama (Series 7, 30')
prod. Gert Thomas, exec. Jonathan Phillips
FINISHING
online
grade
TV Drama & Film
All At Sea
CBBC (Series 2: 13×30’)
prod. Simon Nelson, exec. Connal Orton
It Was 50 Years Ago Today! The Beatles: Sgt Pepper & Beyond
Indie (1×120’)
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The Amelia Gething Complex
CBBC (Series 1: 10×20’)
prod. Graham Davies, exec. Sid Cole
CBBC (Series 4, 5, 6 & 8: 84×30’)
prod. Emma Bodger, Gert Thomas, exec. Jonathan Phillips
DSP Drama for Ch4 (Series 2: 6×50’)
prod. Johnathan Young
Wait for Me
Old Hall Films (1×90')
dir. Keith Farrell, prod. Thea Burrows
DSP Drama for BBC (1×60’)
dir. Steve Bendelack, prod. Brett Wilson
World’s End
CBBC (36×15’)
prod. Kim Crowther, exec. Josephine Ward
Documentary
Armed & Deadly: Gangs UK
Workerbee for Ch5 (3×60’)
Britain's Easter Story
BBC Studios (2x48')
Cutting Edge: Battling the Bailiffs
Nine Lives Media for Ch4 (1×60’)
Dispatches: Addicted to Spending
Nine Lives Media for Ch4 (1×30’)
Dispatches: Britain’s Homeless Scandal
Nine Lives Media for Ch4 (1×30’)
England’s Reformation: Three Books that Changed a Nation
BBC Studios (1×60’)
Epic Warrior Women
Urban Canyon for Smithsonian Channel (3×60’)
Fern Britton's Holy Land Journey
BBC Studios (1×60’)
Genius of the Ancient World
BBC Religion & Ethics (3×60’)
Genius of the Modern World
BBC Religion & Ethics (3×60')
Michael Jackson: Man in the Mirror
Potato for Ch5 (1×120’)
Milton Keynes & Me
Open University for BBC4 (1×60’)
Not My Circus, Not My Monkeys George Carlin story
Indie (1×120’)
Sport
50 Golden Years of Sport on BBC Two
BBC Sport (1×60')
50 World Cup Moments
BBC Sport (1×120’)
Alan Shearer's Euro 96: When Football Came Home
BBC Sport (1×60’)
An Evening with Peter Alliss
BBC Sport (1×60’)
BBC Sport (1×60’)
Rio in Rio
BBC Sport (1×50’)
Run For Your Life
Golden Egg for ITV (1x47')
Sue Barker: Our Wimbledon
BBC Sport (1×75')
Thierry Henry: My France, My Euros
BBC Sport (1×60’)
Entertainment
Bargain-Loving Brits in Blackpool
Blakeway North for Ch 5 (3×60')
CBBC (13×30’)
My Life: Learning to Fly
Nine Lives Media for CBBC (1×30’)
Rip Off Britain S8
BBC (2×30’)
Cbeebies (26×15’)
The Cbeebies Panto: Peter Pan
Cbeebies (1×40’)
World's Greatest Cars
Workerbee for Discovery (4×60')
Short form
A Brief Guide to Self Destruction
Beech House Films (1×18’)
BoohooMAN Quavo TVC
BoohooMAN.com (1x30")
Forever 27
White Ermine Films (1×17’)
Omid Djalili's Balls: The History of the Football Joke
BBC Sport (1×15’)
Sleeping Lions
Libra Television (1×15’)
The Dumping Ground: I'm (2016)
CBBC (8×15’)
Wanderland
Our Daughter Productions (1×15’)
About
Video editing: adding punctuating to an actor’s performance, blending cinematography with music and finding pace and cohesion within a narrative to evoke a strong emotional response; it’s a very rewarding process and a big passion of mine.
My work as an editor generally falls into two camps; my main focus is pursuing a career as a long-form narrative editor, which is to work on scripted productions such as TV drama and film. I've worked in this field predominantly since going freelance, both as an offline editor and as a 1st AE, continually developing my own methodical, fast and instinctive approach to storytelling.
I'm also an experienced online editor, having been a staff onliner for many years prior, and one that I still keep my toes in. It's role that gets me involved with a broad variety of production genres, and can cover anything from colour grading to visual effects to file-encoding and delivery - essentially, I can handle the finishing stages of post.
I'm based near Cardiff, South Wales, though I'm happy whittling away long days at any edit suite across the UK. I've also got a great Avid setup at home which has seen plenty of investment recently with the shift towards remote operating.